Projects
DUO Klangschatten
Sophia Schamckbeck: recorder(s)
https://www.sophiaschambeck.eu/
Elisabeth Müller: accordion
Just as in physics, where colour shadows are created when two light sources of different colours meet, the combination of the recorder and the accordion brings unexpected tonal nuances to the fore. Elisabeth Müller and Sophia Schambeck – the duo Klangschatten – interweave the musical languages of past centuries with the present: medieval double flutes and Renaissance recorders meet the accordion; historical music meets contemporary compositions, their own transcriptions and improvisation. In doing so, the duo regards the concert venue and the audience as part of the music. Discovering the acoustic phenomena of spaces and using their repertoire to interact spatially with the venue fascinates them and has led the duo to festivals such as the Internat. Frauen*Theaterfestival in Frankfurt am Main. Playing with the expansion of spaces and the dissolution of the clear division between stage and audience allows art to be discovered in a wide variety of nuances.
Kollektiv bemoll
Benedikt Müller
Elisabeth Müller
Performance "Red Rose"
Starting with Vedran Smailović – “the cellist from Sarajevo” – “Red Rose” begins a search for remembering another tomorrow.
The combination of drama and music creates a performance about the longest siege in modern history - with music, physical theater and dance, the siblings Elisabeth and Benedikt Müller dedicate themselves to a topic whose tragedy and gravity rarely finds space in current discourses.
More than 30 years ago, on April 5, 1992, the longest siege in modern history began: over 1,425 days, Sarajevo was reduced to ruins.
When crossing a street becomes a journey you don't know if you'll survive, where is the humanity?
Director: Lucas Tanajura
Performance, music and conception: Elisabeth and Benedikt Müller
Lights: Dario Vandelli and Bobby Packham
Realisation: antagonist theater ACTION
https://de.antagon.de/
Duo Vineta
Lisanne Altrov: violin and baroque violin
Elisabeth Müller: accordion
Gaining something new from tradition – according to this motto, Lisanne Altrov and Elisabeth Müller improvise together. They combine echoes of folk music with the art of fugato playing and work with the alienation and embedding of these models in contemporary music.
In addition, early baroque continuo bass sonatas form a focus of their collaboration. The combination of modern instruments with the practice of generic bass playing offers unexpected timbres and an enormous expansion of the repertoire with the accordion.
Kollektiv Unruhe
New Music Collective
https://www.kollektivunruhe.de/de
